Posts Tagged ‘documentary’

http://www.youtube.com/watch?v=nHbZBkhwHPQ&feature=player_embedded

Hit and Stay

New documentary brings the nine Catholic clergy members, who started the raids on draft board offices, to the big screen

David Swanson has more…

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The CIA has been so busy consulting on Zero Dark Thirty, not to mention funding Hamid Karzai, bribing Russians, lying about weapons, and conducting humanitarian drone murders, that it didn’t have any time at all to help out with Hit and Stay, and yet arguably the latter turned out to be the better film despite such a severe handicap. You can check it out at http://hitandstay.com

This is a film about people taking risks to prevent killing rather than to engage in it. The focus is on the Catonsville Nine action on May 17, 1968, 45 years ago this Friday. That action, in which activists burned draft cards and apologized for burning papers rather than children, was preceded by the Baltimore Four action of October 27, 1967, in which four activists poured their blood on draft papers. It was followed by countless other actions, leading right up to the Transform Plowshares action in Tennessee for which three are currently awaiting sentencing.

The Catonsville action received so much publicity that it had something of an Occupy effect. That is, others who felt the same way about the slaughter of the Vietnamese people but didn’t believe they could do anything, suddenly began doing something. Some did very similar actions. Others tried their own approaches to the same problem. Catonsville Nine inspired other tactics, enlarged marches and rallies, and generally moved the peace movement forward. The creativity and novelty of the action even made people think about the war who hadn’t before.

Draft records were destroyed, preventing the drafting of those people. So, this was substantive resistance that couldn’t be undone. At the same time it was educational and inspirational. It didn’t inspire sadistic shouts of “Bin Laden’s dead!” It inspired people to act on their moral outrage. There were over 100 actions taken at draft boards over the next few years. Many thousands of people’s draft records were destroyed, saving them from the draft and saving those they would have killed from that fate. Some of the draft offices were shut down permanently. In the end the Selective Service declared it was under assault, and Nixon declared that the military would now be volunteer.

Some of the actions went after FBI offices and U.S. attorneys offices. Activists never yet apprehended stole COINTELPRO documents and sent them to the media, exposing the FBI’s abuses and creating a major news story that lasted until it was overshadowed by the Pentagon Papers — released by Dan Ellsberg, himself inspired by the activism shown in Hit and Stay. The people shown engaging in these actions are, in many cases, still active today — although they look a bit older. In other cases, their sons and daughters are still involved.

The name “Hit and Stay” comes from the method of engaging in civil disobedience (or civil resistance for those who prefer to point to laws being upheld through the violation of other laws deemed less important) and then staying at the scene of the crime to take responsibility. This was a communications strategy, not a masochistic drive toward suffering. Some of the Catonsville Nine went into hiding to avoid their trial and remain active, even after having stood still long enough to be arrested and charged.

The film shows us the Milwaukee 14, the DC 9 who went after the Dow Chemical Company, and the New York 8. The New York activists hit more than one location and chose not to stay. Instead, they held a press conference to claim responsibility without identifying who was at which location or agreeing to answer questions. They were not prosecuted.

We see the Boston 2, the Rhode Island Political Offensive For Freedom (RIPOFF) — modeled after the New York 8. We see the Rochester Flower City Conspiracy, the Buffalo, the Camden 28. That last one was encouraged, assisted, and then busted by an informant, but in the trial the judge allowed defense witnesses including people like Howard Zinn. The jury nullified the law by acquitting defendants who openly admitted to their actions. The jury joined in singing “Amazing Grace,” and the foreman threw a party for the defendants.

Activists have not entirely figured out how to counter the brilliant move of creating a “volunteer” poverty draft, but neither has it shut down resistance in quite the way as is generally imagined. The stories of these long-ago actions and so many thousands of actions since still inspire. And resistance is in many ways greater now. Wars are protested before they even start, and sometimes prevented from starting. There is much to inspire us in independent media reports of nonviolent actions today, but I suspect this movie has the power to inspire us further.

http://davidswanson.org

David Swanson is the author of “When the World Outlawed War,” “War Is A Lie” and “Daybreak: Undoing the Imperial Presidency and Forming a More Perfect Union.” He blogs at http://davidswanson.org and http://warisacrime.org

From the Tribeca Film Festival, a documentary about some of America’s armed murderous thugs in its foreign legions.  See the review.

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http://www.youtube.com/watch?feature=player_embedded&v=8L8UCfxmtSw

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Illinois Thinks That Kartemquin Films Makes Propaganda Movies

Black documentary producers targeted by State of Illinois for producing “propaganda.” They would have to target every documentary company the same way for this accusation to make any sense. Editorial control determines how information is presented to viewers, and those who decide what is included and what is excluded are engaging in propaganda. A half-truth works just as well as a full truth in convincing audiences the veractiy of a claim. That’s true if you’re NPR, NBC, FOX or the producers of Hoop Dreams

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“Nature as seen by sick minds” -Nazi graffiti

A 1937 Berlin art show ridicules the artists hated by the Nazi party, and millions attend to be programmed to despise the paintings and sculptures.  All a part of Germany’s collective insanity and national suicide.  This is must-see for any artist, any creative.

d-art3 copy“Insolent mockery of the divine.”

http://www.youtube.com/watch?v=1QE4Ld1mkoM

 

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http://www.youtube.com/watch?v=024vLBBJf4I&feature=player_embedded

 

PBS Off Book has multiple installments on their website.

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Propaganda, publicity, glamour, image, reality, a critique of the consumerist society where one’s worth is determined by what one buys. Multi part series, may jump ahead automatically.

http://www.youtube.com/watch?v=mmgGT3th_oI&feature=share&list=PLRdF7JTQF7GnJOI0LgccjJxV7KBMRJb0H

 

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CBC Investigation of LSD (1966)http://www.youtube.com/watch?v=tcDXUt2VvL4&feature=player_embedded

 

“The documentary How To Go Out Of Your Mind – The LSD Crisis was made for Canadian TV in 1966 and features some great footage of Tim Leary, Richard Alpert and Ralph Meltzner on the grounds of the legendary Millbrook estate.”

CBC does a fair job investigating the new epidemic of acid spreading through the land in 1966. Timothy Leary, the high priest of acid, is given an open mic to explain the drug, his view of it, and many individuals are shown and asked to comment.

Leary’s warnings about the drug near the midpoint are particularly noteworthy. In other parts of the video, Leary drifts off to mysticism and religion, abandoning science in favor of a cultish spiritualism.

Be warned young grasshopper. LSD is not like other drugs. It has the capacity to alter your brain, the actual neurons, the actual connections inside. Leary sees the positives of this experience while dismissing a large number of negatives. This is indeed risky experimentation, and having a babysitter or minder cannot shield the brain cells themselves from the effects of the acid.

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The other side of the coin is seen in one Syd Barrett, the founding member of Pink Floyd. Syd was the creative center and driving personality of the band up until the early 1970s. He suddenly fell in with an acid cult of sorts and must have taken too large a dose. He was forever brain damaged beyond repair and seemingly beyond recognition.

Syd Barrett (before)home_left_syd

A shocking moment is recounted by David Gilmore and Roger Waters, as they finished up a recording session on Dark Side of the Moon (1973), an homage to the casualty Barrett. A large, bald obese man stumbled into the sound booth as they mixed one of the tracks. Nobody knew who it was, and started asking around who let the stranger in. When Gilmore and Waters realized that this was Syd, they were shocked to their cores, devastated.

Syd Barrett (after)Syd_Barrett_Abbey_Road_1975

 

Late Great Gore Vidal

Posted: March 29, 2013 in -
Tags: , , , ,

The United States of Amnesia

http://vimeo.com/62884479

 
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end-of-poverty-movie

Imperial crimes continue today. The real causes of poverty around the world, and its symbiotic relationship to obscene wealth.

 

The aphorism “The poor are always with us” dates back to the New Testament, but while the phrase is still sadly apt in the 21st century, few seem to be able to explain why poverty is so widespread. Activist filmmaker Philippe Diaz examines the history and impact of economic inequality in the third world in the documentary The End of Poverty?, and makes the compelling argument that it’s not an accident or simple bad luck that has created a growing underclass around the world.

Diaz traces the growth of global poverty back to colonization in the 15th century, and features interviews with a number of economists, sociologists, and historians who explain how poverty is the clear consequence of free-market economic policies that allow powerful nations to exploit poorer countries for their assets and keep money in the hands of the wealthy rather than distributing it more equitably to the people who have helped them gain their fortunes.

Diaz also explores how wealthy nations (especially the United States) seize a disproportionate share of the world’s natural resources, and how this imbalance is having a dire impact on the environment as well as the economy. The End of Poverty? was an official selection at the 2008 Cannes Film Festival.

 

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Kickstarter Project is running out of time to go document the Atlantic’s giant garbage patch.

 

 

This guy has a documentary crew following him around, so you may be seeing more of him.

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