Posts Tagged ‘peace’

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Hit and Stay

New documentary brings the nine Catholic clergy members, who started the raids on draft board offices, to the big screen

David Swanson has more…

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The CIA has been so busy consulting on Zero Dark Thirty, not to mention funding Hamid Karzai, bribing Russians, lying about weapons, and conducting humanitarian drone murders, that it didn’t have any time at all to help out with Hit and Stay, and yet arguably the latter turned out to be the better film despite such a severe handicap. You can check it out at http://hitandstay.com

This is a film about people taking risks to prevent killing rather than to engage in it. The focus is on the Catonsville Nine action on May 17, 1968, 45 years ago this Friday. That action, in which activists burned draft cards and apologized for burning papers rather than children, was preceded by the Baltimore Four action of October 27, 1967, in which four activists poured their blood on draft papers. It was followed by countless other actions, leading right up to the Transform Plowshares action in Tennessee for which three are currently awaiting sentencing.

The Catonsville action received so much publicity that it had something of an Occupy effect. That is, others who felt the same way about the slaughter of the Vietnamese people but didn’t believe they could do anything, suddenly began doing something. Some did very similar actions. Others tried their own approaches to the same problem. Catonsville Nine inspired other tactics, enlarged marches and rallies, and generally moved the peace movement forward. The creativity and novelty of the action even made people think about the war who hadn’t before.

Draft records were destroyed, preventing the drafting of those people. So, this was substantive resistance that couldn’t be undone. At the same time it was educational and inspirational. It didn’t inspire sadistic shouts of “Bin Laden’s dead!” It inspired people to act on their moral outrage. There were over 100 actions taken at draft boards over the next few years. Many thousands of people’s draft records were destroyed, saving them from the draft and saving those they would have killed from that fate. Some of the draft offices were shut down permanently. In the end the Selective Service declared it was under assault, and Nixon declared that the military would now be volunteer.

Some of the actions went after FBI offices and U.S. attorneys offices. Activists never yet apprehended stole COINTELPRO documents and sent them to the media, exposing the FBI’s abuses and creating a major news story that lasted until it was overshadowed by the Pentagon Papers — released by Dan Ellsberg, himself inspired by the activism shown in Hit and Stay. The people shown engaging in these actions are, in many cases, still active today — although they look a bit older. In other cases, their sons and daughters are still involved.

The name “Hit and Stay” comes from the method of engaging in civil disobedience (or civil resistance for those who prefer to point to laws being upheld through the violation of other laws deemed less important) and then staying at the scene of the crime to take responsibility. This was a communications strategy, not a masochistic drive toward suffering. Some of the Catonsville Nine went into hiding to avoid their trial and remain active, even after having stood still long enough to be arrested and charged.

The film shows us the Milwaukee 14, the DC 9 who went after the Dow Chemical Company, and the New York 8. The New York activists hit more than one location and chose not to stay. Instead, they held a press conference to claim responsibility without identifying who was at which location or agreeing to answer questions. They were not prosecuted.

We see the Boston 2, the Rhode Island Political Offensive For Freedom (RIPOFF) — modeled after the New York 8. We see the Rochester Flower City Conspiracy, the Buffalo, the Camden 28. That last one was encouraged, assisted, and then busted by an informant, but in the trial the judge allowed defense witnesses including people like Howard Zinn. The jury nullified the law by acquitting defendants who openly admitted to their actions. The jury joined in singing “Amazing Grace,” and the foreman threw a party for the defendants.

Activists have not entirely figured out how to counter the brilliant move of creating a “volunteer” poverty draft, but neither has it shut down resistance in quite the way as is generally imagined. The stories of these long-ago actions and so many thousands of actions since still inspire. And resistance is in many ways greater now. Wars are protested before they even start, and sometimes prevented from starting. There is much to inspire us in independent media reports of nonviolent actions today, but I suspect this movie has the power to inspire us further.

http://davidswanson.org

David Swanson is the author of “When the World Outlawed War,” “War Is A Lie” and “Daybreak: Undoing the Imperial Presidency and Forming a More Perfect Union.” He blogs at http://davidswanson.org and http://warisacrime.org

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I’ve been battling censorship head on this past week, and it is staggering.

Another piece of hard evidence on US media censorship has become too glaring and offensive to ignore.  Yesterday I posted a piece from the Jerusalem Post.

Retired Col. Lawrence Wilkerson:

“A former senior official in the Bush administration said on Thursday the use of chemical weapons in Syria might have been a “false flag operation” of Israel, meant to implicate Syrian President Bashar Assad.”We don’t know what the chain of custody is. This could’ve been an Israeli false flag operation, it could’ve been an opposition in Syria… or it could’ve been an actual use by Bashar Assad. But we certainly don’t know with the evidence we’ve been given. And what I’m hearing from the intelligence community is that that evidence is really flakey,” retired Col. Lawrence Wilkerson, Colin Powell’s former chief of staff, told Cenk Uygur in an interview with Current TV.”

There is not one article in the entire US corporate media reporting this, or mentioning Col. Wilkerson’s concerns over the “chain of custody” of nerve gas evidence.  Wilkerson, of course, knows the nerve gas is in the possession of the Jihadist lunatics supported by our “good friends” in Saudi Arabia and Qatar.  These Jihadists already made a Youtube video spilling the beans and testing the gas.

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America doesn’t have a Nazi Volksaufklärung und Propaganda.  It doesn’t need one.  It functions smoothly in the interest of a narrow, elite set of warmongers’ interests right now.

Censorship on matters of war and peace leads to mass murder, war crimes, atrocities beyond words.  That is the game US corporate media plays, and their actions surrounding the Iraq War lies in 2002-2003 should have been the wakeup call tot he world that these shills cannot be trusted.  They do not tell the public the whole story.  It is not in their interest to keep you informed.

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The filmmakers emailed me, and their Kickstarter campaign could use a real boost, so go ahead and think about spreading the word or contributing.

 

Dear friends from Poli Film Blog,

Hope you’re well. I wondered if you’d be interested in supporting a project from a team of people hoping to fundraise for a very beautiful and positive documentary about young artists in Afghanistan. We would really appreciate if you could share it in your Newsletter with your network or if you would be interested to write about it.

Creative Despite War is a documentary film about some of the most talented young artists in Afghanistan. We have started our Kickstarter campaign and are thrilled to have already raised over $11.500. Our goal is to raise 30.000 by the 9th of May . More information on the film in the press release below. Let me know if you have questions.

http://www.kickstarter.com/projects/creativedespitewar/creative-despite-war

Looking forward to your feedback.

With best regards,

-Juan

FOR IMMEDIATE RELEASE

MONODUO FILMS LAUNCHES KICKSTARTER FOR ‘ CREATIVE DESPITE WAR ‘

A doc about innovation and art in Afghanistan

Berlin, Germany – Monoduo Films is fundraising for Creative Despite War, a documentary film by Ruì Díaz and Christian Rinke-Lazo about the most innovative young artists in Afghanistan. After two years of repeatedly visiting Afghanistan to follow the development of the characters, they are just one visit away from concluding their story and starting post-production on the film. With generous support from the public through crowd sourcing sites like kickstarter, they will make it happen.

Creative Despite War follows the life and creative process of four young artists and artistic groups. From the urban graffiti treatments of Shamsia Hassani to the rhythms of District Unknown, they become acquainted with the inspiring imaginations of the culture creators of Kabul. Now, they plan

to witness the culmination of many years of hard work as they prepare to share their vision at the Sound Central Asia’s Modern Music Festival (Kabul’s first alternative Youth Arts and Music Festival) this May.

This film honors remarkable Afghan artists and by doing so, dignifies an entire community that has been marked by a single story of catastrophe. By sharing the many stories of the artists encountered in this film, the filmmakers are able to identify and focus on the shared humanity.

The whole production until now has been financed by Monoduo Films and with the kind support of family and friends. Now, they need support more than ever to see their vision through to its final phase. Beyond filming, they need to also implement the post-production (consisting of editing, color correction and final sound mixing). Additional funding beyond the 30,000 USD will enable them to pay for marketing, distribution, and other strategic mechanisms that will allow the film to reach a much broader audience.

http://www.kickstarter.com/projects/creativedespitewar/creative-despite-war

About MONODUO FILMS

Monoduo Films is a Berlin based sales and distribution company with a focus on challenging documentary films related to art and social issues. It has successfully taken part in the distribution and sales of documentaries like “Last Days Here” by Don Argott and Demian Fenton, winner of the IDFA Play Award in 2012, “We don’t care about Music” anyway by Cédric Dupire and Gaspard Kuentz, “Backyard” by Árni Sveinsson or “Leave Them Laughing” by Oscar winning director John Saritzky among others. “Creative Despite War” is their debut film as investors and producers.

http://monoduo.net/

FOR INTERVIEW REQUESTS and MORE INFORMATION

Juan Camilo Cruz

MONODUOFILMS

Laubestr. 7 | 12045 – Berlin | Germany | T: +49-(0)1577-1587-531

E: juan.cruz@monoduo.net | Skype: juan.camilo.cruz.orrego | http://www.monoduofilms.com

ADDITIONAL RESOURCES

· Creative Despite War Webpage: http://creativedespitewar.org/

· Creative Despite War Facebook: https://www.facebook.com/CreativeDespiteWar

· Creative Despite War Twitter: https://twitter.com/despitewar

· Creative Despite War Vimeo: https://vimeo.com/channels/creativedespitewar

· Creative Despite War You Tube: http://www.youtube.com/user/CreativeDespiteWar

· Creative Despite War Kickstarter Campaign: http://www.kickstarter.com/projects/creativedespitewar/creative-despite-war

· Monoduo Films Webpage: http://monoduo.net/

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by Jeff Cohen

While the U.S. media has some spirited debate over politics and social issues – i.e. Fox News vs. MSNBC – there remains a broad consensus about foreign adversaries whose behavior is almost always cast in the harshest light, a reality that colors how America reacts to the world.

I spent years as a political pundit on mainstream TV – at CNN, Fox News and MSNBC. I was outnumbered, outshouted, red-baited and finally terminated. Inside mainstream media, I saw that major issues were not only dodged, but sometimes not even acknowledged to exist.

Katy Perry during the children's concert at the Washington Convention Center in celebration of military families
Today there’s an elephant in the room: a huge, yet ignored, issue that largely explains why Social Security is now on the chopping block. And why other industrialized countries have free college education and universal healthcare, but we don’t. It’s arguably our country’s biggest problem – a problem that Martin Luther King Jr. focused on before he was assassinated 45 years ago, and has only worsened since then (which was the height of the Vietnam War).

Image: The Daily Show host Jon Stewart is one of the few voices on American television who occasionally breaks with the national security consensus.

That problem is U.S. militarism and perpetual war.

In 1967, King called the United States “the greatest purveyor of violence in the world today” – and said, “A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death.”

Nowadays MSNBC hosts yell at Fox News hosts, and vice versa, about all sorts of issues – but when the Obama administration expanded the bloody war in Afghanistan, the shouting heads at both channels went almost silent. When Obama’s drone war expanded, there was little shouting. Not at MSNBC, not at Fox. Nor at CNN, CBS, ABC or so-called public broadcasting.
We can have raging debates in mainstream media about issues like gun control and gay marriage and minimum wage, but when the elites of both parties agree on military intervention – as they so often do – debate is nearly nonexistent. Anyone in the mainstream who goes out on a limb to loudly question this oversized creature in the middle of the room known as militarism or interventionism is likely to disappear faster than you can say “Phil Donahue.”

doc506b5edf440875155838331I know something about mainstream journalists being silenced for questioning bipartisan military adventures because I worked with Phil Donahue at MSNBC in 2002/03 when Bush was revving up the Iraq invasion with the support of Democratic leaders like Joe Biden, John Kerry, Hillary Clinton and Harry Reid. That’s when MSNBC terminated us for the crime of JWI. Not DWI, but JWI – Journalism duringWartime while Independent.

JWI may be a crime in mainstream media, but it’s exactly the kind of unauthorized, unofficial coverage you get from quality independent media today and from un-embedded journalists like Jeremy Scahill, Dahr Jamail and Glenn Greenwald.

Unfortunately, many liberal journalists who were vocal about war, human rights and civil liberties during the Bush era lost their voices as Obama continued and, in some cases, expanded Bush’s “War on Terror” policies. It says something about the lack of serious national debate on so-called national security that last month one of the loudest mainstream TV news questioners of the president’s right to assassinate Americans was Sean Hannity on Fox. That’s obscene.

And it says something about mainstream TV that the toughest, most consistent questioners of militarism and defenders of civil liberties are not on a news channel – they’re on the comedy channel. A few weeks ago, I watched a passionate Jon Stewart taking on the U.S. military budget: “We already spend more on defense than the next 12 countries combined, including China, including Russia. We’re like the lady on Jerry Springer who can’t stop getting breast implants.” (On screen was a photo of the Springer guest.)
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What our mainstream media so obediently call the “War on Terror” is experienced in other countries as a U.S. war OF terror – kidnappings, night raids, torture, drone strikes, killing and maiming of innocent civilians – that creates new enemies for our country. Interestingly, you can easily find that reality in mainstream media of allied countries in Europe, but not in the mainstream media of our country. Needless to say, it’s our country that’s waging this global perpetual war.

In a democracy, war must be subjected to questioning and debate. And not just on the comedy channel.

 

Jeff Cohen is founding director of the Park Center for Independent Media at Ithaca College and an associate professor of journalism there. His latest book is Cable News Confidential: My Misadventures in Corporate Media. He founded the media watch group FAIR in 1986. This column is adapted from remarks made April 6 at the National Conference on Media Reform in Denver.

William Blum Interviewed in Superpower, The Movie

Unmasking Imperial America

Empire of Deceit

by JASON HIRTHLER

If you took all the uncomfortable truths omitted from mainstream media over the past half century, compiled and indexed them, and added a dash of withering sarcasm, you might end up with a book a lot like, America’s Deadliest Export: Democracy [Zed Books, 2013] the latest offering from serial dissident William Blum. Like his better-known peers Noam Chomsky and Howard Zinn and Gore Vidal, Blum is a perennial gadfly on the imperial hide, puncturing falsehood and punctuating hypocrisy with an implacable zeal. On the back cover of Blum’s book Rogue State—and repeated in the current volume—is the following paragraph, probably the finest he has or may put to paper:

If I were the president, I could stop terrorist attacks against the United States in a few days. Permanently. I would first apologize – very publically and very sincerely –to all the widows and orphans, the impoverished and the tortured, and all the many millions of other victims of American imperialism. I would then announce that America’s global interventions – including the awful bombings – have come to an end. And I would inform Israel that it is no longer the 51st state of the union but – oddly enough – a foreign country. I would then reduce the military budget by at least 90% and use the savings to pay reparations to the victims. There would be more than enough money. One year’s military budget of $330 billion is equal to more than $18,000 an hour for every hour since Jesus Christ was born. That’s what I’d do on my first three days in the White House. On the fourth day, I’d be assassinated.

This paragraph was famously quoted by Osama Bin Laden in one of his grainy video homilies to the world in 2006. A minor media storm followed, hovering over Blum like a drone over a Waziristan hamlet. Once the furor subsided, however, Blum’s connection to OBL contaminated his reputation as a public figure. In the half dozen years since, Blum has received scant few speaking invitations from universities after enjoying a steady diet of engagements in the years prior. One can just envision the blandly decorous university administrator, seated in his mahogany office, dismissing out of hand a proposed invite to Blum, admonishing naïve student advocates to use a bit more discretion in their choice of speakers. But it was their loss.democracy_300_470

Blum’s latest offering confirms that his exile from the college circuit has done nothing to dim his fury. The new book is a compilation of essays and articles dating from the middle of the Bush years through 2011, and covering a vast range of foreign policy issues. Blum writes with disarming informality, a writer with little time for the artful turns of the poet or novelist. His mission feels too urgent for anything but blank candor. In contrast to a more measured analyst like Chomsky, Blum holds nothing back. He launches salvo after salvo at the edifice of imperial falsification, a veritable babel of cloaked belligerence. Yet his indignation is leavened by healthy doses of humor, including a late chapter that envisions a global police state of comical extremes.

Blum’s central objective, it seems, is to expose the American mythology of good intentions. He states in the introduction, writing about the American public, “No matter how many times they’re lied to, they still often underestimate the government’s capacity for deceit, clinging to the belief that their leaders somehow mean well. As long as people believe that their elected leaders are well intentioned, the leaders can, and do, get away with murder. Literally.”

From this premise, Blum quickly establishes the central goal of U.S. foreign policy: world domination. The concept, so infrequently phrased like this—even on the left—may sound like something out of a Bond novel—the sinister plot of SPECTRE, hatched in some underwater command center. But as Blum begins to lay the foundation for his claim, the ostensibly fictive begins to feel factual. He asserts that the American military is the vanguard of American business, bent on corporate globalization by any means available to it, which happen to include state terror, undermining elections, bombing, assassination, support of autocratic mass-murderers, and a general suppression of populist movements. In fact any means by which it can vanquish the threat of economic democracy—a model that would needlessly tax and encumber corporations in their efforts to advance the bottom line.

Our Bipolar Worldview

Blum then walks us through a litany of foreign policy issues, throwing aside the façade of official doublespeak and subterfuge, and revealing the honest face of American foreign policy—and it is almost never a pretty or admirable or defendable reality. Reading through the cases, a disturbing polarity emerges. On one hand, the Noble American, whose civilizing missions abroad are always necessary interventions, conditioned by a desire to ennoble benighted peoples. On the other, the Terrorist, a shockingly savage barbarian frothing with fundamentalist ire at the profligate and infidel freedoms of the West. The Terrorist would reduce the western hemisphere to dust, given the chance. Hence the forward positions of our military—purely a defensive measure against a foe with whom negotiation is a fool’s errand.

According to received orthodoxy, U.S. foreign policy is at best an almost messianic force for global good, and at worst capable of blundering mistakes that misread the cultural character of the developing world. Note here the preclusion of even the capacity for immoral behavior. Misguided, yes. Unethical, never. Think of Barack Obama’s oft-cited claim that the Iraq war was the “wrong” war, a “dumb” war, and poorly managed. Not once in his 2008 campaign, or prior to it, did our future president even hint that the Iraq war was deeply immoral. If it wasn’t, it follows that none of the war’s prosecutors should themselves be prosecuted for war crimes. Hence Obama’s swift decision to “look forward” and permit criminals like George Bush, Dick Cheney, and Donald Rumsfeld to stroll leisurely into the history books. It likewise follows that violations of our civil liberties can be effected with a clean conscience, since the government means only to protect its citizenry. What this perspective requires of the average citizen is the unstinting faith of childhood, an increasingly risible notion in the age of Wikileaks.

At the far polarity of the moral spectrum is the terrorist. Those we dislike—redistributive Marxists, agrarian reformers, big-government socialists, anti-totalitarians—are cavalierly labeled terrorists by our government, thanks to the magical euphemism of “material support.” Simply add a heavy dose of fearmongering and the general consent is induced. Thus, your freedom fighter becomes my insurgent. My indigenous resistance becomes your Maoist army. The terrorist is characterized as a moral degenerate, impossible to understand because fundamentally depraved—unlike us. As exemplified by state rhetoric, the terrorists always strike first. History begins with a car bomb and ends with a humanitarian intervention.

Blum exposes this perverted reading of history in scenario after scenario: Iraq and Iran; the Bush White House; the demonization of Wikileaks; the catastrophes of the former Yugoslavia; the bombing of Libya and the support of state terror in Latin America. In a chapter on the Cold War, Blum revises what is perhaps the 20th Century’s most serviceable fable by making the startling claim that the Cold War was not a back-channel battle between capitalism and communism, but was rather an American effort to crush populism in the Third World. Even the establishment has sometimes conceded this claim. No less than influential Harvard political scientist Samuel Huntington, said in a recorded private conversation in 1981, “You may have to sell intervention or other military action in such a way as to create the misimpression that it is the Soviet Union that you’re fighting. That’s what the United States has been doing ever since the Truman doctrine.”

Necessary Illusions

There are plenty of forays into related terrain, including social ideology, environmentalism, the contradictions of capitalism, the effectiveness of government, religion, dissent, the mainstream media’s proclivity for deceit through omission. The chapter on media is smartly followed by a takedown of Barack Obama, who Blum’s strips of his public-relations façade as a progressive reformer. The president is revealed as a rhetorically vacuous warmonger, an ally of big finance, and a committed imperialist. To underscore the power of rhetoric to cloak not only venality but villainy, Blum closes the chapter with a stunning passage from a speech by Adolf Hitler in 1935, which sounds a chorus of pacifist platitudes and internationalism that might have been mouthed by any neoliberal elect in any developed economy. Among other statements of perfect liberal pragmatism, Hitler states:

Our love of peace perhaps is greater than in the case of others, for we have suffered most from war…The German Reich…has no other wish except to live on terms of peace and friendship with all the neighboring states. Germany has nothing to gain from a European war. What we want is liberty and independence.

Blum is a perfect portrait of candor when contending with rabid patriots and reflexive nationalists. When asked by one if he loves America, he bluntly replies, “No, I don’t love any country. I’m a citizen of the world. I love certain principles, like human rights, civil liberties, meaningful democracy, an economy which puts people before profits.” This characteristic and unadorned honesty shimmers throughout the book. On page after page, Blum translates the complexities of doublespeak into layman’s language, unpacking the malevolent aims of American militarism.

Outflanking Big Brother

As with most left screeds and polemics, there comes a final chapter in which much of the force and momentum of the preceding text is lost, and when the elephantine question is finally voiced, “So what do we do about it?” Fortunately, Blum’s answers are as simple and sensible as the rest of his work. For the author, the “sine qua non” for any real political change is clear: the removal of money from politics. To summon the kind of political pressure required to force such a systemic overhaul, we need an educated populace. Blum notes that the best we can do is educate ourselves on the imperial project. By unmasking the subtle and not-so-subtle deceits of state-sanctioned media, we can inform ourselves and others until we reach a critical mass of dissent, at which point change might be effected.

In a late chapter on resistance, Blum offers a measure of hope from a report from the Defense Science Board, a Federal outfit created to give independent advice to the Secretary of Defense. In 2004, the group critiqued global Muslim attitudes toward America. After debunking the myth of the Middle East’s irrational hatred of American freedoms, the report came to this lapidary conclusion: “No public relations campaign can save America from flawed policies.”

True enough abroad, but you would have to be asleep to miss the effectiveness of public relations on public opinion in the United States. We are presided over by the P.R. President, by whose invisible hand our reality is sanitized of its sanguinary character. We find ourselves seduced by the soothing platitudes of state-sanctioned media—putting people first, compassionate conservatism, change we can believe in, Camelot, a shining city on a hill, morning in America. Gustave Le Bon, a pioneer of mass psychology, once noted that the masses are especially susceptible to comforting fantasies, and that, “Whoever can supply them with illusions is easily their master; whoever attempts to destroy their illusions is always their victim.”

Blum cites some illusion-shattering work of the sixties counterculture, notably activist and musician Gil Scott-Heron, whose song, “The Revolution Will Not Be Televised”, warns America that a revolution is coming. Scott-Heron sings that people, in Blum’s paraphrase, “would no longer be able to live their normal daily life,” and—more incisively—that they, “should no longer want to live their normal daily life.” But in today’s tranquilized social climate, this last line feels at once terrifically apposite and sadly naïve. How many of us simply want to leave work, repair to our couch, sufficient alcoholic sedatives at hand, televisual narcotics coloring the living room, and slip into a state of unthinking reprieve? Creature comforts may be the opiate of the American people. Deflating this bubble of banalities, via the expanding tools of information, seems to be viable way forward.

And so long as lonely prophets like Blum soldier on, a handful of excavated truths may threaten to capsize the artfully constructed narrative of empire. A note of injustice may sound in the thought stream of a blandly acquiescent middle manager or tongue-clipped service worker. Mao Zedong once intoned, “A single spark can start a prairie fire.” Without that tremulous hope, the fact that Blum’s central premise of malign intent has been proved right so often is of little consolation. A Cassandra acquitted is little more than a salve to the ego of the gadfly. But given the damage done to democracy and its prospects here and abroad, which of us can safely say that this is not his fight?

 Jason Hirthler is a writer, strategist, and 15-year veteran of the corporate communications industry. He lives and works in New York City. He can be reached at jasonhirthler@gmail.com.

 

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Can Argo’s Best Picture Win Stop War with Iran?

by Ruth Hull

On February 24, 2013, the Academy of Motion Picture Arts and Sciences has thrown down the Gauntlet to Congress, the President, the corporate oil vultures and the Military Industrial Complex by presenting the Best Picture Award to Argo, a movie showing that peace is the way to save lives in response to an act of war.


 

On November 4, 1979, Iranian students stormed the American Embassy in Tehran and took Americans hostage. This was a violation of U.S. Sovereignty. America was attacked where it was supposed to be secure under international law. But Jimmy Carter refused to take up the sword. Instead, he took up the dove and got everyone home, alive and safe.

The takeover of the American Embassy was effectively an act of war – unlike any current actions of Iran involving the United States or its citizens. Iran has not taken over any of our embassies since 1979. It has committed no acts of war against the United States. Its peaceful nuclear energy plan (albeit an unhealthy and unsafe energy plan) is peaceful.  In fact, if asked their opinion, most Americans living near nuclear power plants would gladly encourage the U.S Government to dig up and ship all 104 of our operational nuclear reactors to Iran as a belated Christmas present. I live near San Onofre Nuclear Generating Station (SONGS) and Californians have been trying to get rid of that plant for decades as it is the most unsafe reactor in America.

In 2013, Congress has been besieged with lies about Iran by hawks, eager to attack the country with the fourth largest oil reserves in the world, after “Venezuela, Saudi Arabia and Canada.”  Congressional warmongers are eager for war.

In the face of all this genocidal drive towards another future wasteland of dead babies and innocent civilians as a ritual sacrifice to the U.S. Military Industrial Complex, the Motion Picture Academy of Arts and Sciences has boldly stood up and reminded the blood-thirsty Congressional and Executive Branch hawks of the success of Jimmy Carter’s path towards peace.

As shown in Argo, while peace saved lives in 1979 and 1980, it did not save Jimmy Carter’s Presidency. Heroically, he put the lives of others before his own career. He could have taken credit for the rescue of six American from the Canadian Ambassador’s home instead of letting the Canadians have the credit. However, that would have risked Canadian lives in Iran. Carter was not about to risk lives to save his Presidency.

Also clear from the movie was the attempted undermining of Carter’s peace plan by a shadow government with ties to the Pentagon. Movie goers see that Tony Mendez, the CIA rescuer who conceived and carried out the plan for the Argo rescue, actually had to go against CIA superiors in order for the plan to succeed. If he had listened to his CIA bosses, the six Americans would have been captured and they and the Canadian diplomats could have been killed. This betrayal by the intelligence community is no surprise as a helicopter rescue plan was sabotaged by people in the Military Industrial Complex working against Carter and the hostages. The helicopter rescue idea was ridiculous, given the terrain and weather conditions in Iran. The military advisors had to know the helicopter plan would fail and embarrass the President even as they were working to sell the plan as a likely success scenario. Going against his bosses, Argo’s Mendez proved that he was one CIA officer who cared more about saving lives than about bringing down a President.

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Former representative Cynthia McKinney gives an inspiring speech…

 

 

 

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One day,

Youngsters will learn words they will not understand,

Children from India will ask: “What is hunger?”

Children from Alabama will ask: “What is racial segregation?”

Children from Hiroshima will ask: “What is the atomic bomb?”

Children at school will ask: “What is war?”

You will answer them, you will tell them: “Those are words not used any more,

Like ‘stage-coaches’, ‘galleys’ or ‘slavery’,

Martin Luther King

 

 

World War in progress, class war by the elites on the common peoples:

 

Oliver Stone and Peter Kuznick on Abby Martin’s show:

 

Be certain to catch my take on episode 1 and particularly the posting of BBC’s 1989 Sacrifice at Pearl Harbor.

 

 

FUCK YEAH… (author unknown, as per BoingBoing)

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