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The lack of budget and slick effects hampered this Philip K. Dick film, but the story is interesting and topical. What’s more Phil wrote himself into the movie.

Snared in the rising fascism of the Reagan era, the paranoia and political persecution of dissidents are strong threads running throughout this one. The former McCarthyism red scare paranoia influenced this assault on free association in the land of the free. Dick was personally targeted, and this appears to be his response to an out of control security state, going after sci-fi writers and dissidents of the new “conservative” social order.

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In a purely personal moment, the actress playing the lead neo-nazi bitch looks a lot like my own stepdaughter. And yeah, I can see it.

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Dick brought a lighthearted treatment to this serious descent into totalitarianism. The situations are not new, but the alien contact twist certainly tosses in a monkey wrench. The ending was a bit weak, and this may have relegated it to the desperate-indie bin. With a stronger finish, it could have had the bucks it needed to succeed. C’est la vie.

Comments
  1. Kieran Kelly says:

    Usually when translating Dick to the screen it is best to use a short-story of about 15-30 pages for a feature. He was such a restless writer that it is notoriously hard to adapt full-length Dick works into movies. If you don’t believe me just enter “hard full-length Dick movies” in your favourite search engine.

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