Posts Tagged ‘african american’

This is a black-American odyssey, a road movie, and kind of unflinching. From the trailer I knew I wanted to see it.

There are some intense, gritty films about race over the past few years. The country is finally coming to terms with its abhorrent past and can talk about it. Black filmmakers are successful and reaching wider audiences. And yet the problem remains the same.

At times spot on, and at other times playful and loose, Queen & Slim was a thought-provoking ride that resonated with me. The police are universally understood in the black community (in the world of the film) as being a brutal, occupying force. The solidarity of the community and the united front of the community are key parts of the narrative. It is about resistance, rebellion, and the dysfunctional system in place. The damage is physical, moral, psychological and lethal.

This should be an instant cult classic, so check it out.

110 IMPORTANT FILMS ABOUT THE BLACK EXPERIENCE

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The more things change…

STOP FBI SURVEILLANCE OF BLACK ACTIVISTS

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She said Trump’s efforts during the 2016 election to reach out to African-American voters were nothing but a con to win their votes.

 

Omarosa accuses Trump of wanting to start a ‘race war’

 

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Fuck that racist pig, Donald Trump. 

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Players all over the nation are joining in the silent protest of injustice against African Americans, and the unnacountable police murders. Today Colin Kaepernick is a hero. This is a moment like Dr. King’s march on Washington.

PS

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The Horror of North America

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This is a smoking gun that the CDC has committed crimes to protect the vaccine manufacturers from liability and scrutiny. And, as usual, no one goes to jail when the crimes are officially sanctioned.

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The Enduring Legacies of Slavery in America: Reflections on “12 Years a Slave”

by Lawrence Ware

Two years ago I sat in an almost empty auditorium waiting for 12 Years a Slave to begin. To my right, with an obligatory seat between us per the unspoken yet ubiquitous norm known as ‘man law,’ was my dear friend and brother T. E. Dancy. We arrived prepared to critically engage the film as scholars, but we underestimated the impact the film would have upon us emotionally.

Every year I screen the film on campus. I am consistently surprised by how few have seen it. They have seen movies detailing the horrors of the holocaust. They have watched violent visual narratives about the war on terror. Yet, for some reason, this film remains unseen.

White Americans have a complex relationship with the history of black people in this country. They intellectually assent to the proposition that slavery happened. They admit that it was ‘bad.’ Yet, like attempts to minimize the horror of slavery in Texas textbooks, white folks don’t want to be confronted with the lived experiences of slaves.

Black Americans don’t have that luxury. As Ta-Nehisi Coates argued, even if attempts are made to ignore the past, the shadow of slavery follows black people today. In our language, in our food, in the construction of American social institutions upon the assumption that if you inhabit a black body you possess less personhood than if you inhabited a white body, the history of slavery still shapes black life in America.

As I discussed the film with T. E. Dancy, I began to realize that this visual text powerfully communicates these truths in four ways.

Socioeconomic Status is No Exception From Racial Realities

Solomon Northup was an educated, cultured free black man in the 1840s. His only mistake was thinking that being born free meant he was safe from the ugliest manifestation of white supremacy in American history. Yes, he was educated; yes, he was musically talented; yes, he was petite bourgeoisie; no, that did not matter. One’s black body is always a threatened when living under white, capitalistic hegemony.

This remains true today.

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Rethug scumbags–redundant I know–are at it again. Vote rigging is standard practice with these people. They’ll do anything to seize power over the rest of us, including this shit.

AFTER VOTER ID LAW—SURPRISE—ALABAMA CLOSES DMV OFFICES EXACTLY WHERE MOST BLACK PEOPLE LIVE!

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Dylann Roof’s complete disconnect from reality is a product of the endless racist right wing propaganda that lies and distorts so much they no longer have any concept of the real world. People like this are one reason that motivates me to challenge propaganda, across the spectrum, and keep it real here.

Dylann Roof ‘manifesto’: Massacre suspect explains why he ‘chose’ Charleston

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Ava DuVernay posted this list. I admit that I have not seen most of them.

84 Films By and About Women of Color