Posts Tagged ‘false’

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Yesterday, a number of Western presstitutes attacked Russia for the killing of a journalist in Ukraine.

Only, he ain’t dead.

Propaganda Killing Kills Propaganda — First The Skripals, Now Arkady Babchenko Come Back From The Dead

 

An “enemy of Putin” is attacked. Authorities immediately raise accusations against Russia and the Kremlin. Public condemnation follows. There are calls to sanction Russia.

This will not go down well for Babchenko or the Ukraine. The Ukrainian Prime Minister officially accused Russia of killing the man. But it turns out the the Ukrainian state faked the murder. 

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Funded by USAID (US State Department) and the British Government. This mercenary force has shady intelligence connections, and is being used to push the western agenda in Syria.

Further, Beeley told Sputnik News that the White Helmets work closely with the PR firm Purpose, Inc. to lobby for military intervention against Assad. Purpose co-founder Jeremy Heimans also helped create Avaaz, a global “pro-democracy” group that’s been accused of furthering the U.S. agenda in the Middle East and elsewhere.

Report Ties White Helmets To Foreign Intervention

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‘Create unrest’: Canada’s CSE agency includes ‘false flag’ operations as part of newly-revealed cyberwarfare scope

Canada’s Communications Security Establishment Canada (CSEC) – including the capacity and will to perform ‘false flag’ operations, where responsibility for cyberattacks, counterattacks or other intelligence-related activity is misattributed to individuals, groups or nation states.

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One day after posting that the chief of Monsanto, India admitted to faking testing/safety dataoutright fraud — we have TV personality/science geek Bill Nye cozying up to the Frankenfood company.

What Did Monsanto Show Bill Nye to Make Him Fall “in Love” With GMOs?

Nye has stumbled into a political/corruption war that he is evidently woefully unprepared for. Science geeks can be pretty damn gullible when given so-called evidence by other science geeks. That the evidence is cooked up by a profit-driven house of lies, a very sophisticated one at that, goes right over the geek’s head. Expertise in one area (laboratory) doesn’t translate to expertise in others (deception, lies, corruption, Astroturfing, rigged testing, bribery, etc.).

In his book Undeniable: Evolution and the Science of Creation, published just last November, Nye reiterated these points. His concern about GMOs centered mainly on unintended consequences of growing them over large expanses—he cited the example of crops engineered to resist herbicides, which have been linked pretty decisively to the decline of monarch butterflies, which rely on abundant milkweeds, which in turn have been largely wiped out in the Midwest by GMO-enabled herbicide use. Nye praised certain GMOs, such as corn engineered to repel certain insects, but concluded that “if you’re asking me, we should stop introducing genes from one species into another,” because “we just can’t know what will happen to other species in that modified species’ ecosystem.”

Now, Nye’s doubts have evidently fallen away like milkweeds under a fine mist of herbicide. In a February interview filmed backstage on Bill Maher’s HBO show (starting about 3:40 in the below video), Nye volunteered that he was working on a revision of the GMO section of Undeniable. He gave no details, just that he “went to Monsanto and I spent a lot of time with the scientists there.” As a result, he added with a grin, “I have revised my outlook, and am very excited about telling the world. When you’re in love, you want to tell the world!”

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I have a similar paper on this topic, that I’ll release shortly…

Robert Parry:

NYT Shows How Propaganda Works

When the topic is Ukraine and the alleged violator is Russia, no extreme is too extreme in denouncing Russia’s President Vladimir Putin. But the concern about international law simply disappears when discussing Syria and the desirability of U.S. President Barack Obama overthrowing the government there.

… Another way that the New York Times makes itself useful as a neocon propaganda vehicle is by applying two radically different standards for proof when an accusation is made.

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In a classic honey pot trap a crude photo was sent mysteriously out into the chain to be picked up and passed on in order to DISCREDIT anyone vouching for it.

APAssociated Propaganda takes point:

Russian TV says photo shows Ukrainian fighter downed Malaysian plane; US rejects that claim

“Mark Solonin, a Russian author who is an engineer by training, said in his blog that both aircraft looked disproportionate to the landscape and concluded that their images were crudely edited into a satellite picture.

Others noted that the commercial airliner in the photo appears to be of a different type, a Boeing 767.”

Probably all true. The question is why? Who created an obvious fake photo showing what likely actually happened?

This isn’t the only fake or forgery going around. The audio “confession” of Donetsk commanders, which is up on the NY Times website, is a glaring fraud:

Kiev’s evidence of militia’s responsibility for airliner crash faked – expert

Only that particular fraud tells us a lot more about the actual shoot down operation. It was prepared PRIOR to the downing of MH17. It is a recording concerning the shoot down of a Ukraine SU-25 the day before, July 16th, not the 17th. Therefore this audio PSYOP was prepared and executed knowingly (by Ukraine intelligence working with CIA) in order to specifically blame the rebel commander.

More deception concerns BBC’s censoring of eyewitnesses who saw the Ukraine fighter jet in the same airspace as the destroyed Malaysian airliner.

Censorship or error? Internet criticism for BBC removal of MH17 report

So, to recap, this latest photo is a fake. It is faked in order to make you look bad if you present it as evidence. It exists to discredit YOU. Tellingly, the Toledo Blade (AP) wouldn’t even show the actual photo, as it looks too much like what actually occurred! They merely comment using bloggers as their sources.

Faked photo, of questionable sourcing – DO NOT USE:

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This is a honey trap ploy to discredit Russian media. I suggest you read my piece on disinformation and the 9/11 Truth Movement to get up to speed on how this stuff distorts reality.

PS

Many people jumping over here from Disinformation. Other relevant info to the MH-17 includes the Russian presentation from back in July. Radar data showed the fighter plane:

Russian MH17 Evidence Against Ukraine Nazi Regime

The Russians tested the nose cannon from the SU-25 to compare damage:

MH-17: THE UNTOLD STORY

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Military lawyer resigns in protest of ‘show trial’ of accused 9-11 mastermind

“The U.S. government is trying to call this a fair trial, while stacking the deck so much against the defense and the accused that it can hardly be called a fair trial in any system in the world,” he said, accusing the government of staging a”show trial.”

Already, at the time when he made his discovery, Oceania was no longer at war with Eurasia, and it must have been to the agents of Eastasia that the three dead men had betrayed their country. Since then there had been other changes–two, three, he could not remember how many. Very likely the confessions had been rewritten and rewritten until the original facts and dates no longer had the smallest significance. The past not only changed, but changed continuously. What most afflicted him with the sense of nightmare was that he had never clearly understood why the huge imposture was undertaken. The immediate advantages of falsifying the past were obvious, but the ultimate motive was mysterious.
-1984

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From VICE

It’s Now Possible to Hire Fake Protesters

 

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Zero Dark Thirty: Journalism? Art? Propaganda?

By Dennis Loo (1/10/13)

Zero Dark Thirty [opened] in nationwide release today on Friday, January 11, the 11th anniversary of the opening of Guantanamo Bay prison where the U.S. has been and continues to hold detainees unjustly, subjecting them to torture. Director Kathyrn Bigelow and co-writer Mark Boal, in various fora, have been defending Zero Dark Thirty, their saga about the hunt for bin Laden, from critics who decry their film as an apologia for torture. In the face of this controversy, the filmmakers declare that they are proud of what they have done and that their critics are being unfair. In an undated interview at The Wrap by Steve Pond, Bigelow and Boal described these accusations as “preposterous” and said that the fim isn’t a documentary and that it does not take a political position:

“I’m not saying the film is a documentary of everything that happened, but it’s being misread,” [Boal] said. “The film shows that the guy was waterboarded, he doesn’t say anything and there’s an attack. It shows that the same detainee gives them some information, which was new to them, over a civilized lunch. And then it shows the [Jessica Chastain] character go back to the research room, and all this information is already there — from a number of detainees who are not being coerced. That is what’s in the film, if you actually look at it as a movie and not a potential launching pad for a political statement.”

I have written previously about how dishonest their defense for their film is. There are two parts to this which I’d like to expand upon here and also discuss two other articles in which they defend their film. They claim in The Wrap interview:

A) that the detainee depicted in the film [who is a stand-in for the real Khalid Sheik Mohammed] didn’t give up information due to torture because he didn’t do it while being tortured, but only during a “civilized lunch” with his torturer acting as his civilized host, albeit promising that instead of more civilized food, he could instead hang him from the ceiling again, and so therefore anyone claiming that this film is linking the successful search for bin Laden to torture is wrong since he wasn’t being tortured at the moment he gave up the crucial information about the courier’s name, and

B) that because Maya [Jessica Chastain’s character] goes back after this to the research room and sees that the information is already there, from detainees who were not being coerced, that therefore the viewers should conclude that Maya has or should have a revelation then and there that “My God! I could have offered him a V-8 instead of having him tortured!” Besides which Boal’s characterization of this apres-torture and apres-“civilized lunch” scene isn’t even correct: the revelations that Maya looks at in the research room are from people who were being or had obviously been tortured, with only one possible exception from my view.

This is not, as everyone knows, a low-budget indie or porn film with amateurs throwing together a picture in which they contradict themselves all over the place and sequences don’t make sense. These are top tier filmmakers and writers who are making a big-budget blockbuster from a major studio. Bigelow and Boal know exactly what they wrote in this script. They went over it again and again, both in the writing of it and in the filming and editing of it in the cutting room. They know what sequence follows what. They know every detail. Juxtaposing at the beginning of the film the harrowing actual voices of those killed in the Twin Towers on 9/11 with immediately following scenes of detainees being tortured, one of whom then gives up the crucial piece of evidence as a result of torture, which then propels the rest of the movie’s action, is not the sequencing of filmmakers denying that torture “worked.” If your purpose was to show that torture wasn’t right or appropriate, then why falsely depict the key piece of evidence coming in the immediate aftermath of torture? Why, after releasing the film, falsely claim that this “confession” didn’t occur due to torture but during a “civilzed lunch?”

Boal’s explanation is simply not credible. I am astonished that he and Bigelow would think that such a lame excuse could pass even cursory inspection, especially for those who have actually seen the film. But then again, the lame excuses don’t end there. In another interview (or perhaps the same interview but with more quotes from that interview in a subsequent article), also written by Steve Pond at The Wrap dated December 11, 2012, Boal is quoted as saying:

“We’re trying to present a long, 10-year intelligence hunt, of which the harsh interrogation program is the most controversial aspect. And it’s just misreading the film to say that it shows torture leading to the information about bin Laden.”

How is it misreading the film, to say that your film “shows torture leading to the information about bin Laden”? This is like someone saying, upon being accused of assault and battery on someone: “You have a photo of me with my arm holding a knife pulled back as if to strike someone, and then you have a picture of me standing over the other guy with blood on the knife, but you don’t have a picture of me with my hand on the knife while it is in the guy’s body. So you don’t really have any proof that I knifed him, do you?”

Bigelow, appearing with Boal, at the NY Film Critics Circle Awards on January 7, 2013, is quoted as saying:

“I thankfully want to say that I’m standing in a room of people who understand that depiction is not endorsement, and if it was, no artist could ever portray inhumane practices,” Bigelow said while accepting the award for Best Director. “No author could ever write about them, and no filmmaker could ever delve into the knotty subjects of our time.”

But those of us who are criticizing Bigelow for her depiction of torture aren’t complaining because she shows torture. Indeed, many of us who have been most vocal in our condemnation of our government’s use of torture have used the simulation of torture in our protest actions in order to bring home to people a little of the reality of torture’s nature. That is, we’ve done it when authorities have allowed us to. Those anti-torture protestors planning to carry out a dramatization of torture in Washington DC in 2009 were told by the police that if they simulated torture they would be arrested. This stands in sharp contrast to Bigelow and Boal now being honored for their big budget depiction of torture and “heroic” CIA agents and talked about in the exalted terms of a possible multiple Oscar winner and creating one of the best, if not the best, films of the year. As Joe Emersberger, however, put it at his blog:

“Katherine Bigelow is a real piece of work. She has claimed that she had no ‘agenda’ and did not ‘want to judge’ (as if that were remotely possible in making this film). On the other hand, completely contradicting that, she has very clearly stated that she set out to make make pro-CIA propaganda:

“‘I want them [the audience] to be moved. I want them to know that this is the story of the intelligence community finding this man. These are incredibly brave individuals, dedicated individuals who sacrificed a lot to accomplish this mission…'”

For Bigelow to characterize her critics as being against their portraying “inhumane practices” is a strawman argument and extremely dishonest. What those of us who are condemning in this film is that Zero Dark Thirty falsely portrays torture as producing useful information and provides ammunition for those who want to believe that using torture is a necessary, though perhaps ugly, tool in the battle against the implacable evil foes that her film depicts Muslims to be, instead of a war crime and crime against humanity, which is what torture is – always, under any cirumstance, and everywhere.

Join the protests against this film. The film opens in nationwide release Friday, January 11, on the anniversary of the opening of the obscenity of Gitmo. Download flyers at this page (click on the PDF on that page for the flyer) and take them to film showings around your community. Talk to people about this film. Raise people’s consciousness about what they can all too easily be sucked into by the skill of highly sophisticated propaganda.

 Torture of Brinvilliers, 17th Century
 

Zero Dark Thirty: Bigelow’s “Civilized Lunch”

Zero Dark Thirty’s director Kathyrn Bigelow and co-writer Mark Boal, in an interview in which she and Boal defend their film against the criticism that their film apologizes for torture, say that the charge that they’re promoting torture is “preposterous.”

In particular, Boal states the following in defense of the film:

“The film shows that the guy was waterboarded, he doesn’t say anything and there’s an attack. It shows that the same detainee gives them some information, which was new to them, over a civilized lunch.”

Boal, in other words, claims that information did not come from torture because the detainee didn’t talk while being tortured. Rather, the detainee talked “over a civilized lunch,” and therefore torture didn’t produce the information.

Compare Bigelow and Boal’s explanation to Glenn Greenwald’s description of the very same sequence in the movie after he saw the film in an early showing:

The key evidence — the identity of bin Laden’s courier — is revealed only after a detainee is brutally and repeatedly abused. Sitting at a table with his CIA torturer, who gives him food as part of a ruse, that detainee reveals this critical information only after the CIA torturer says to him: “I can always go eat with some other guy — and hang you back up to the ceiling.” That’s when the detainee coughs up the war name of bin Laden’s courier — after he’s threatened with more torture — and the entire rest of the film is then devoted to tracking that information about the courier, which is what leads them to bin Laden.

There are other dimensions to Bigelow and Boal’s apologia worth exploring as well. To begin with, their defense that they’re not making a “political statement” supporting torture’s efficacy is similar to a police department saying that they got a confession from the suspect after offering him a cup of “civilized” coffee, neglecting to mention that immediately prior to offering this friendly cup of Joe that this very same police officer threw the suspect against the wall numerous times, waterboarded him, stuck a gun in his mouth and threatened to pull the trigger, sexually humiliated him, put him into a box smaller than a coffin, and as he was handing the suspect the civilized coffee cup, told him that he could, instead of giving him coffee, hang him from the ceiling and torture him so more.

The first question I had when viewing Bigelow and Boal’s and Greenwald’s comments side by side was why Boal would describe the offer of food to the detainee as “civilized.” Under what circumstances could having something to eat with someone who has just gotten done torturing you be accurately described as “civilized?”

This would be like the Nazis in the concentration camps telling some of the prisoners who were standing next to other prisoners who were just shot to death by the guards, that they should now all sit down together and have a “civilized lunch.” Wouldn’t that be dandy and doesn’t that prove that the Nazis really weren’t using violence to terrorize people and extract information from them? They could jointly enjoy a civilized recording of Wagner while dining together.

But this bit of disingenuousness by Bigelow and Boal is not all: in the film the detainee gives up the key evidence, the identity of bin Laden’s courier, during this “civilized lunch” which the rest of the film then is a follow-up to.

Contrary to this movie’s premise, however, not only did the identity of bin Laden’s courier in reality not come from torture or any lunch of any kind – no information of any kind that was useful in finding bin Laden came from torture or threatened torture of any detainees.

Boal in the aforementioned interview states right after the quote cite above, the following:

“And then it shows the [Jessica Chastain] character go back to the research room, and all this information is already there – from a number of detainees who are not being coerced. That is what’s in the film, if you actually look at it as a movie and not a potential launching pad for a political statement.”

Bigelow is quoted earlier in the article as saying “Was it difficult to shoot? Yes. Do I wish [torture] was not part of that history? Yes, but it was,” she claimed.

She says she had to show torture, which makes up most of the first 45 minutes of the film, because it was “part of that history.” She wishes it wasn’t, but it was, and for historical accuracy, she had to show it. Her fidelity to historical facts is admirable, except that what she shows in the film by connecting torture sessions to the extracting the key piece of evidence after torture during a “civilized lunch” is entirely false.

Yes, torture is part of the historical record of this period and the CIA’s use of it by the express direction of the Bush Regime (and its continued use under Obama via rendition and by U.S. personnel, although without using waterboarding specifically). But the torture did not in fact produce useful intelligence.

The government has stated this itself. As reported by Agence France-Presse, on Wednesday, December 19, for example, Sen. Dianne Feinstein (head of the Senate Intelligence Committee), Carl Levin, and John McCain wrote a letter to Sony Pictures head Michael Lynton stating:

Regardless of what message the filmmakers intended to convey, the movie clearly implies that the CIA’s coercive interrogation techniques were effective in eliciting important information related to a courier for” Bin Laden.

“We have reviewed CIA records and know that this is incorrect. ‘Zero Dark Thirty’ is factually inaccurate, and we believe that you have an obligation to state that the role of torture in the hunt for (Bin Laden) is not based on the facts, but rather part of the film’s fictional narrative.

When conservative Democrats like Feinstein and conservative Republicans like McCain have to ask liberal and hip Hollywood “feminists” to back away from right-wing representations in their films is when we might have cause to wonder about whether we have stepped into a gathering of the Mad Hatter’s Tea Party.

The film’s depiction of the key piece of evidence coming from torture and from information that after the torture Chastain’s character discovers was already there from information not extracted by torture, is not going to make the average movie goer say: “Well, see, all the torture that I just watched wasn’t necessary after all!”

The average film viewer is going to follow the broad strokes of the film’s narrative to conclude, and correctly so given what is being shown them and the film’s sequencing, that torture produced the key piece of evidence to get bin Laden.

Greenwald has described the film’s overall perspective as that of the CIA – and I would add, minus the fact that a number of prominent and rank and file CIA officers as well as other members of the government disputed the propriety and/or efficacy of the U.S. committing war crimes to the point of some of them resigning or being ousted and demoted. So even on the level of claiming to represent the historical truth here, Bigelow conveniently omits the loud dissent within the CIA and the government over the use of torture.

The film begins with the actual audio track of cries of help from people in the Twin Towers on 9/11 and the torture sequence follows that. What is any viewer to conclude, consciously or unconsciously, except that these two are intimately connected?

Whatever this film’s makers’ subjective intent in making this film – and one has to wonder what they think they’re going to end up with given their priviliged access to the CIA in the making of the film and their entirely false representation of après-torture producing the key piece of evidence that gets bin Laden – this film is going to be understood by the vast majority of people as showing why torture is unfortunate but necessary. Zero Dark Thirty, in other words, is going to contribute further to the brutalization and degradation of not only detainees but of the American people as a whole. And as the revelations of and depictions of torture did when the nation learned of it under Bush, it will also contribute to the further violent and vile acts by individuals and groups against other individuals and groups in unsanctioned and sanctioned ways alike.

Like the argument used by the Democrats in calling for progressive-minded people to vote for Obama as the “lesser evil” versus the alleged greater evil of Romney, Zero Dark Thirty claims that the lesser evil of torture is superior to the greater evil of the numerous acts of anti-state terror depicted in the film. But the argument around the elections, just as in the war of terror (not war on terror), are both false.

When you make a film about the most politically charged event of our times (9/11) and manhunt in history (the pursuit and assassination of bin Laden), how can you truthfully claim that you are not making a political statement? How could you possibly avoid making a political statement, even if that was your express intent? And why would you falsely present how the key piece of evidence was obtained, if you were trying to be journalistically honest, which is what Bigelow and co-writer Boal claim they are doing?

I don’t know if the descriptor of a “civilized lunch” is a Freudian slip on Boal’s part. But one can readily see his notion of who the civilized are and who the uncivilized are in the film, based on his own comments and those critics who have written extensively about the film, both pro and con: the civilized ones are the ones who, despite whatever reservations they might have about using these methods, have used torture to extract information and the uncivilized ones are those Arabs who have been blowing up buildings and people. We in America can have our “civilized lunches” … as long as we’re not trying to eat in a mall (Portland), a high school (Columbine, Colorado), a movie theatre (Aurora, Colorado), or in an elementary school (Newtown).

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When Bush was building the case for invading Iraq, juxtaposing 9/11 to Saddam Hussein over and over again, he was preparing Americans to commit atrocities upon an entirely innocent people. In that propaganda campaign The New York Times, trading upon its liberal reputation, played an indispensable role, particularly through Judith Miller’s articles, in greasing the path for the war upon Iraq. People who did not ordinarily accept claims by someone like Bush were won over, thinking, “Well, if The New York Times says Iraq’s got WMD, and if the Times says they’re a grave threat, then it must be true.” When liberal and hip Hollywood types juxtapose 9/11 to graphic scenes of torture by the “good guys,” they are likewise preparing Americans to accept atrocities as acceptable, even if stomach churning.

http://dennisloo.com

Lifting the Veil: Obama and the Failure of Capitalist Democracy (2011)

Feature length film documents the extensive list of Obama’s crimes.  He has, you may remember, presided over the greatest theft in human history (as much as $26 Trillion documented so far).

Anyone in a non-swing state should vote their conscience.  Support the Green Party, vote Jill Stein.