How not to get screwed by Hollywood

 

HOW TO LEGALLY AVOID AN EVIL NET PROFITS DEFINITION IN A MOTION PICTURE CONTRACT

What Film Distributors Want #Filmmaking

Long:

We Spoke to Dozens of Distributors; This is What They Want in a Film

8K Cinema is Real

 

#Indie Theatrical Release

 

Best Camera Gear Of 2018

 

Banned in Chinese #Cinema

19 Subjects Banned from Chinese Cinema

Talking Animals, Dystopian Themes, Nuclear Weapons, Homosexuality, Time Travel and more…

#7 Criticizing government

FilmStruck Letter Causes Geeksplosion

 

The little-dick film snobs lost their shit over this:

 

However, feature-length narrative cinema made by mostly white male auteurs dominated the collection. These are not the films that need seeing or saving. They may not circulate widely in popular culture, but they account for almost our entire institutional and disciplinary canon. And despite the collective anxiety about their disappearance, they will endure in archives, film studies programs and, yes, even online …More radically, however, we might ask whether these are the works we need to rescreen or urge others to discover.

 

FilmStruck wasn’t that good for movies. Don’t mourn its demise.

 

What an absolute gift it would be to escape the corrupt inheritance of the auteur — a 20th-century invention; film scholars have the receipts — and the long shadow of a canon that has compelled generations of students to mimic the powers of patriarchy and colonialism, to play at corporate theater, or to wonder about their own exclusion from what they see on screen.