Posts Tagged ‘foundations’

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Hollywood Reporter:

Sam Simon, Terminally Ill ‘Simpsons’ Co-Creator Vows to Give Away Fortune

“Simon: I want medical experiments on animals stopped. They don’t do anything, and they don’t work. Veganism is an answer for almost every problem facing the world in terms of hunger and climate change. It helps people’s health. Meat is the biggest greenhouse gas producer. There’s also the cruelty and suffering aspect.”

 

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John Stauber (PR Watch) devastates the corporate Democrats and their Astrotuf front organizations.

The Progressive Movement is a PR Front for Rich Democrats

“The “movement’s” funding is in the hands of a small number of super rich Democrats and union bureaucrats and advisors who run with them. Its talking points, strategies, tactics and PR campaigns are all at the service of the Democratic elite. There is no grassroots organized progressive movement with power in the United States, and none is being built. Indeed, if anything threatens to emerge, the cry “Remember Nader!” arises and the budding insurgency is marginalized or coopted, as in the case of the Occupy Wall Street events. Meanwhile, the rich elite who fund the Progressive Movement, and their candidates such as Barack Obama, are completely wedded to maintaining the existing status quo on Wall Street and in the corporate boardroom.  Their well-kept Progressive Movement is adept at PR, propaganda, marketing and fundraising necessary in the service of the Democratic Party and the corporate elite who rule it.

…’What we’ve got here is a deeply symbiotic relationship between a pseudo-movement that derives its raison d’etre and financial vitality from a vilification of the right, which it has helped to create and without which it would have no reason for existence.’

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Professor James Tracy on the failures of mass education and the engineering of the youth.

 

“How corporate America is faking a grassroots revolution.”

From the film’s website.

Synopsis (Short)

From the Tea Parties to the healthcare and climate wars, America’s conservative citizens have revolted against the Obama agenda. But are these grassroots actions in fact examples of `astroturfing’? – The practice of manufacturing citizens groups for the purpose of delivering corporate messages. Curious to find out, Australian filmmaker Taki Oldham went undercover to investigate. What he found was astroturfing on a scale greater than he could have imagined, threatening not only the heath of American democracy, but that of its citizens and the planet as a whole.

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Disarmament for Some
Co-opting the Anti-Nuclear Movement

By DARWIN BOND-GRAHAM

No medium of propaganda is as powerful and effective as film. Think of the classics, the most notorious efforts to to sway the public with the electrifying and collective passion of cinema: racial apartheid was justified in the US with Birth of a Nation. The Soviets glorified their revolution with the Battleship Potemkin. Then there was Triumph of the Will.

A typical propaganda film tugs at emotions and invokes fears. It invokes dark threats to “the people,” and it offers up solutions extolling state and corporate power. Unlike a political documentary it will not criticize the state or corporation. Instead it will celebrate great men as our leaders and saviors. Distinct from a run-of-the-mill political documentary, a propaganda film butchers the complexity and contradictions that permeate politics and real life, presenting things in simplistic moral terms. Functionally, propaganda is mobilized to secure popular support for a primary, often hidden agenda that is not apparent in the film’s narrative. Propaganda is a tool used by elites to secure the consent of the masses, and channel their anxieties.

Now hitting theaters is one of the most dangerous propaganda films produced in decades. Countdown to Zero “traces the history of the atomic bomb from its origins to the present state of global affairs.” A promotional blurb on the film’s web site claims that it “makes a compelling case for worldwide nuclear disarmament, an issue more topical than ever with the Obama administration working to revive this goal today.”

Before I go any further in explaining Countdown as a propaganda film I should note that note all propaganda need not be the product of a secretive and manipulative council of elites behind some curtain. Instead, the many contributors to Countdown and its promotional efforts have different motivations and intentions. What makes this film a coherent piece of propaganda is its medium, style, and likely effects on the US political climate. There are powerful actors who will use it for nefarious ends.
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