Posts Tagged ‘love’

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This very French take on young love comes in at over three hours in length. The director was intransigent in his perfectionism and this is how he demanded the film be. At the end of the running, we learned that it was supposed to be divided into two chapters, but I don’t recall any actual chapter break / intermission on the DVD.

It’s probably best to break it after the first 90 minutes or so. The scenes are well acted and often very good, natural, but so many of them wouldn’t have made the cut in Hollywood. American audiences may not be so patient.

The film, of course, has extended raw sex scenes between the two girls. They may have ran a bit too long, but then so did the rest of the movie, and so proportionally they make sense.

 

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It’s a very recognizable coming of age story with a likeable French girl Adele, a kindergarten teacher, who doesn’t really fit into the eccentric art world of Emma, the blue-haired seductress. They make a go of it, hiding their relationship as needed, but human weakness and temptation throw their ship toward the rocks.

The style is claustrophobic, nearly every shot a close-up of Adele. It’s always right up against her cheek, and we see every side of her imaginable. The production ran way long, snatching up footage for months after the initial production schedule had expired. This was a very good idea, something Kubrick would do. Time is the crucial ingredient that allowed film to progress beyond the mundane, beyond the script and the production schedules that seek to limit the possibities.

Neither actress would ever work with director Kechiche again. The film, though, won the Palme d’Or and launched their careers in a way they could never have hoped for. We don’t see such raw, powerful performances very often. So credit is due.

4/5

 

 

 

Burning Hearts (short)

Posted: April 19, 2014 in -
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This was unexpected.

 

 

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ALL’S FAIR (short)

Posted: January 12, 2014 in -
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Because He Loves You

 

 

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Why aren’t I feelin’ the love?

 

DaLonelyPenguin writes in: “I need love, not movies.”

 

Lonely Penguin ends badly however, like Shorts Week is heading.

http://www.youtube.com/watch?v=jtdEKIsnEkM

 

BiebNumberOne writes in: Dis is sick!  Sick!

http://www.youtube.com/watch?v=JFDAvcwDPTA

 

I’m kicking the Plugsheister the blank outta here.  He’s on my nerves.  His last rampage was scaring away the cute girls.

Maybe this muted response to Shorts Week is all the straight people’s fault?

http://www.youtube.com/watch?v=5frn8TAlew0&feature=player_embedded

 
Blanch the Nut says: “Go stick your head through a plate glass window.”

 

Where have I gone wrong?

 

Head Over Heels (short)

Posted: February 12, 2013 in -
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In time for Valentine’s.


 

 

A definite cult classic, Raising Arizona (1987) is Nick Cage’s finest hour and one of my favorite movies.  I was glad to read the script.  Maybe I felt guilty over dissing True Grit the other day

This film is stuffed with dramatic material in every scene.  The central argument concerns recidivism, the propensity for criminals to go on returning to the lives they are more comfortable with.  The issues concern crime and punishment, the slippery slopes of committing ever more serious offenses, and the moral and ethical choices we make and which define us.

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Spoilers Below

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“And for those who are reacting, because some of those have chosen to react in a violent way it confirms the prejudices of a segment of western society, of the hegemonic part, and the prejudices about Islam being violent for instance, that Muslims resort to violence. The moment you react in a certain way and Muslim groups have been doing it ever so often, you merely strengthen that stereotype about Muslims. So you’re, in a sense, contributing to hegemonic politics in both ways. One by helping the hegemon and number two by sort of denigrating the hegemonized through the hegemonized community’s own stupidity in a sense, by sort of resorting to violence when there’s really no reason to resort to violence.

You can always respond to provocations of this sort in other ways. If it is a film that has been made, perhaps you can make another film that corrects some of those misconceptions and stereotypes. If a book is written you respond with a book. And if let us say certain false ideas are in the public realm, you debate, you discuss. This is what one should do.

But as I said a while ago I think this is something that’s alien to at least that segment of the Muslim world, partly because of the influence of the religious elites.
-Dr. Chandra Muzaffar (14:35)