Posts Tagged ‘recruiting’

Top Gun 2 Sets New Standard For State-Orchestrated, Pro-Military, Mass Indoctrination

Hollywood is operating as its propaganda machine

Top Gun for hire: why Hollywood is the US military’s best wingman

“Productions love us because we provide authenticity and credibility. And also, they get substantial cost savings. …Applicants must submit their entire script for approval, and accept any changes required.”

According to estimates, recruitment across the US military jumped by 500% that year.


Propaganda in the Cinema

And, they ARE recruitng in movie theaters now (just like in my book!)



“Inclusive” incineration of children on the other side of the world.









You must have seen the new US Navy conquers the world commercials. The “crypto” part of crypto-fascism has withered away, and it’s all out in the open now. The TV spot is populated by belligerent, stern-faced sailors in various uniforms.


The ending is quite open and disturbing in its message. They want joiners to help them conquer EVERYWHERE. So many little dots, as if they owned it all already. The USA is that little piece of real estate in the top right corner, by the way.


They have created a pantomime about defending the dumb white family in the center. Unlimited dollars to propagandize the rubes about what a global empire is and does. So, even when it’s shown in little white dots and red balls, for some reason the implications cannot be computed.

Chalk that up to a joke of an education system, perhaps.

We used to have useful terms like “gunboat diplomacy” to comprehend what Washington was really up to. Today we have “War is Peace,” and a lot of “Ignorance is Strength.”


Sep 7, 2014; East Rutherford, NJ, USA; General view of the playing of the national anthem with a United States flag on the field before the NFL game between the Oakland Raiders and New York Jets at MetLife Stadium. Mandatory Credit: Kirby Lee-USA TODAY Sports - RTR459LN

Worship the military, rubes. Worship.

California National Guard members hold out a giant American flag before the start of the Monday Night NFL football game between the Houston Texans and the San Diego Chargers  in San Diego, California  September 9, 2013.  REUTERS/Mike Blake   (UNITED STATES - Tags: SPORT FOOTBALL MILITARY) - RTX13FAR

’Paid patriotism’: Pentagon gives pro sports millions


Are you a “doer?”

What would the actual Mother Jones think of this latest development?

I guess I’m doin’ right now: Fuck you, Chevron.


So, to be fair, I went and looked for editorial influence on the subject of “climate change,” which I didn’t immediately find. What I did find, however, was quite a bit worse! Commercials for military recruiting appear in the middle of articles at Mother Jones today.


I have to get out of this insane madhouse.

The “alternative” media is now helping feed children into the military machine. Not much of an alternative, is it?


Fits seamlessly with Goldman Fucking Sachs infiltrating PBS broadcasting. Hey — remember Goldman Sachs? Rolling Stone magazine can fill you in:

The Great American Bubble Machine

Goldman Sachs has engineered every major market manipulation since the Great Depression — and they’re about to do it again

Abby Martin counters the pentagon’s propaganda barrage with some disturbing facts about what military recruits can look forward to.

Don’t Enlist in the Military


RETRO ACTIVE: Red Dawn (1984)

From GreenCine Daily

by Nick Schager

Red Dawn
[This week’s “Retro Active” pick is inspired by the
North Korean-centric remake Red Dawn.]

Of all the places to invade America, Colorado—cutoff from any reasonable air or naval support—would seem a pretty terrible choice. But don’t tell that to Red Dawn, John Milius‘ eminently ridiculous time capsule of Cold War paranoia and teenybopper play-acting, which finds small-town Colorado overrun by Russian and Cuban soldiers. The sight of paratroopers landing outside a high school classroom window is the sole iconic image mustered by Milius’ film, which otherwise details, with dreary and unearned self-seriousness, the efforts of a local group of kids to hide in the mountains, school themselves in the ways of resistance, and then fight back against the invading commie hordes as the Wolverines (a name taken from their high school football team). Thus, the fate of American sovereignty rests in the hands of Patrick Swayze, Charlie Sheen, C. Thomas Howell, Lea Thompson and Jennifer Grey, who along with a few other nondescript twerps co-opt Latin America guerilla tactics in an adventure that—either laughably or insultingly, depending on your vantage point—embraces the role-reversal fantasy of America as the righteously subjugated underdog forced to battle back against tyrannical oppressors.

Red Dawn


Furthering that bizarro-universe situation is the fact that the nominal commander of the communist invaders is a Freddie Mercury-lookalike Cuban named Bella (Ron O’Neal) who repeatedly expresses confusion over how to operate now that he’s not the insurgent, but the aggressor—a notion that reaches its hilarious apex during the film’s climax, when Bella writes home to his wife that he misses her, hates the frigid cold of Colorado’s winter (a sentiment that would no doubt be ridiculed by his Russian comrades!), and is morally lost without a revolutionary cause driving his actions. This upside-down fairy tale would be more tolerable if it were played with at least a bit of self-conscious humor, but no, Red Dawn is all solemn posturing and speechifying, most of it done by a cast of young Hollywood up-and-comers who carry with them not a shred of believable gravity. Milius and co-screenwriter Kevin Reynolds don’t flesh out these kids as three-dimensional characters, but rather as stock types with predefined roles—the brooding leader (Swayze), the loyal brother (Sheen), the tragedy-damaged loose cannon (Howell), the tough chicks (Thompson and Grey) —whose main function is to flip-flop between acting battle-hardened and traumatized.

Red Dawn


Early on, Swayze and Sheen find their father (Harry Dean Stanton) in a reeducation camp, where the elder—before hilariously exhorting them to “Avenge Me!” —tells them that, no matter what happens, they shouldn’t cry. It’s advice that goes unheeded, as there’s endless male weeping in Red Dawn, with everyone bawling after another member of their clan is killed, thereby turning the entire proceedings into some sort of unintentional Big Boys Do Cry comedy. Milius’ story is concerned with the loss of innocence suffered by his protagonists, who are forced to assume adult responsibilities and roles until they can lie down and die near a public park swing set, a symbol of youth finally regained. The problem, however, is that amidst such a ludicrous The Commies Are Coming! scenario, this portrait rings ridiculous, especially given the Breakfast Club-style characterizations on display. Swayze’s tormented alpha-male routine is the silliest of the bunch, all over-the-top agonized screaming, but it’s almost matched by the performance of Powers Boothe as a downed American fighter pilot whose grizzled-vet jadedness merely confirms that both kids and adults alike behave like overwrought G.I. Joe phonies in this Us-vs.-Them universe.

Red Dawn


When not giving the teenage set a Rambo-style saga to call their own—replete with numerous sequences of the Wolverines attacking Russian soldiers and bases with a skillfulness that’s out-and-out absurd—the film also doubles as a bit of unvarnished right-wing propaganda. In Red Dawn, the 2nd Amendment is what allows the kids to resist occupation—note the “They Can Have My Gun When They Pry It From My Cold, Dead Fingers” bumper sticker—and triumph is ultimately achieved through old-school mountain-man camping and hunting in the glorified natural splendor of Arapaho National Forest. With Jeremiah Johnson as their patron saint, the Wolverines are homegrown militiamen whose survivalist skills prove vital and valiant, even when they go loony like C. Thomas Howell and gun down a friend-turned-traitor—an act that’s justified because the victim in question was a wimpy class president, not a venerated jock like Swayze and Sheen. It’s all so much nonsense, even with the participation of the usually dependable Stanton and Ben Johnson (as a Wolverine benefactor). And it’s undone by not only the unbearable affectation of its cast, but by the fact that, ultimately, a world with these kids as heroes seems less palatable than Russian occupation, which at least involves art houses showing nothing but Sergei Eisenstein‘s great Alexander Nevsky.


NBC Invents War-o-tainment

by David Swainson

If you’ve watched the Olympics on NBC you’ve probably seen ads promoting a war-o-tainment reality show cohosted by retired U.S. General Wesley Clark, co-starring Todd Palin, and with no apparent role for reality.

The ads brag about the use of real bullets in a way that promoters of the new Batman movie probably wouldn’t try. But the chances that any of the celebrities engaged in “war competition” on NBC’s “Stars Earn Stripes” will be shot and killed is essentially what it was for John Wayne, as he promoted war while dodging it (even if nuclear weapons testing got him in the end). and Just Foreign Policy have set up a website at to push NBC to show the real cost of war, and to help get them started.

“Stars Earn Stripes” is being produced by the TV “genius” behind Donald Trump’s “Apprentice” and “Sarah Palin’s Alaska.” (Husband Todd Palin is a “Stars Earn Stripes” co-star.) NBC is promoting the show during its Summer Olympics telecast as the next big sporting event. But the sport it’s exhibiting is war.

On “Stars Earn Stripes,” celebrities will pair-up with members of the U.S. military to compete at war-like tasks, including “long-range weapons fire.” Only there won’t be any of the killing or dying.

Our wars kill huge numbers of people, primarily civilians, and often children and the elderly. NBC is not showing this reality on its war-o-tainment show any more than on its news programs. Other nations’ media show the face of war, giving people a very different view of war-making.

NBC news programs have repeatedly used retired generals, pretending independence but getting their pro-war talking points from the Pentagon. See New York Times: Behind TV Analysts, Pentagon’s Hidden Hand and Glenn Greenwald: The Pulizer-Winning Investigation That Dare Not Be Uttered on TV.

In the United States, our tax dollars are spent by the billions each year marketing the idea that war is a sport and associating the military with sporting events. Media companies like NBC are complicit in the propaganda. While 57% of federal discretionary spending goes to the military, weapons makers can’t seem to get enough of our tax dollars. In the spirit of transferring veterans’ care to the realm of private charity, “Stars Earn Stripes” will give prize money each week to “military-based charities” in order to “send a message.”

One of NBC’s corporate parents, General Electric, takes war very seriously, but not as human tragedy — rather, as financial profit. (GE is a big weapons manufacturer.) A retired general hosting a war-o-tainment show is another step in the normalization of permanent war. And consider for a moment who that retired general is. During the 1999 bombing of Yugoslavia commanded by Gen. Wesley Clark, civilians and a TV station were bombed, while cluster bombs and depleted uranium were used. Had Clark done these things for another nation, NBC would probably favor his prosecution and certainly not employ him. See Democracy Now! Confronts Wesley Clark Over His Bombing Of Civilians. is asking NBC to stop treating war as a sport, and to air an in-depth segment showing the reality of civilian victims of recent U.S. wars, on any program, any time in the coming months. We’ve provided some resources to help NBC research and show the reality of war, at

David Swanson is the author of “When the World Outlawed War,” “War Is A Lie” and “Daybreak: Undoing the Imperial Presidency and Forming a More Perfect Union.” He blogs at and and works for the online activist organization