Posts Tagged ‘secrets’

dc-mordor

 

BREAKING: New Wikileaks File Dump

 

It’s on.

 

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Is The Intercept An Intelligence Operation? An Ongoing Inquiry

 

Did Omidyar set up The Intercept on behalf of U.S. intelligence, in order to entrap, expose and prosecute whistleblowers? It’s curious: Greenwald was Omidyar’s first hire and he had pretty much exclusive access to Edward Snowden’s NSA treasure trove. When I worked at TI, the Snowden archive was locked in a safe. Omidyar and Greenwald long promised they would make it all available to the public but they never did, and last week, amid staff cuts that will inevitably lead to Omidyar killing the publication, TI announced that the Snowden archive will be sealed off from the public for an undetermined amount of time. So it looks like the most explosive leak in U.S. intelligence history will end up being buried by Omidyar and Greenwald.

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by John Kiriakou, Reader Supported News

Vice News’s Jason Leopoldreported recently that the CIA’s Office of Public Affairs (OPA) provided “support” to a variety of Hollywood films, like Argo and Zero Dark Thirty; television series like Covert Affairs and Top Chef; documentaries; and even novels like Richard Patterson’s The Devil’s Light. Leopold said that the nature of the support is largely unknown because the CIA did not keep records of all of its meetings. A declassified CIA Inspector General’s report said, “OPA and other CIA employees did not always comply with Agency regulations intended to prevent the release of classified information during their interactions with entertainment industry representatives.”

Therein lies one of the problems with the relationship between the CIA and Hollywood. There’s little-to-no oversight. And when rules and laws are broken, nobody has to pay the piper.

In 2015, Vice reported that aseparate CIA Inspector General’s report found that former Director Leon Panetta “allegedly disclosed classified information” when speaking with Zero Dark Thirty writer Mark Boal, and that Panetta disclosed additional classified information to director Kathryn Bigelow. An even earlier Inspector General’s report detailed “Potential Ethics Violations Involving Film Producers” Bigelow and Boal, and said that CIA officers had accepted gifts from the two, including watches, restaurant meals, and tickets to the movie premiere, all of which went unreported. Presumably, this was in exchange for cooperating on the film.

CIA employees taking gifts from Hollywood producers for apparently giving them, in the case of Zero Dark Thirty, classified briefings on the bin Laden raid and then not reporting the gifts in their ethics filings is bad enough. The CIA director leaking classified information with impunity to the producers is worse. Indeed, it is a direct violation of the Obama administration’s definition of espionage: “Providing national defense information to any person not entitled to receive it.” That definition came directly from the judge in my case, when I was charged with espionage for blowing the whistle on the CIA’s torture program.

But the worst, the most insidious, thing here is that the end result of the CIA’s cooperation with Hollywood and others in the entertainment industry is that it results in the propagandizing of the American people. That was illegal, until recently.

In the 1950s, the CIA initiated “Operation Mockingbird,” a long-term operation whereby the Agency planted articles in the American press. At the height of the program, some 25 major U.S. news outlets willingly published CIA propaganda meant for the American people.

That was outlawed in the immediate aftermath of the Church Committee hearings. Over time, many Americans forgot that the CIA had tried to influence them subversively. Indeed, many in Congress later said that the ban on propagandizing the American people was so that official outlets like the Voice of America and Radio and TV Marti could not be broadcast to Americans.

But that all changed on July 2, 2013, with the passage of the Smith-Mundt Modernization Act of 2012, which passed as part of the 2013 National Defense Authorization Act. The new law allows a wide variety of propaganda meant for Americans. That includes CIA support for Hollywood.

Does this presage a period of television shows like The F.B.I., a series that ran from 1965-1974 and which had each episode personally approved by J. Edgar Hoover? Will Hollywood not be permitted to make movies or series critical of the Agency? Do we want John Brennan to be the guy who decides what we get to see?

Congress must re-implement the Smith-Mundt Act, the original one, and keep the government out of our movie theaters and televisions. Propaganda is a malicious force. It has no business in American society.


Reader Supported News is the Publication of Origin for this work. Permission to republish is freely granted with credit and a link back to Reader Supported News.

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The most outrageous hypocrisy never, ever fazes the reptiles who control the USA or Israel.

US helped Israel with H-bomb – 1980s report declassified

“It’s our basic position that in 1987 the Department of Defense discovered that Israel had a nuclear weapons program, detailed it and then has covered it up for 25 years in violation of the Symington and Glenn amendments, costing taxpayers $86 billion,” Smith said during a hearing in late 2014 before Judge Tanya Chutkan in US District Court for the District of Columbia.

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‘I hacked into govt to expose truth’: Jeremy Hammond confesses from jail

PS.

Fuck STRATFOR.

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Former Dem. Senator Decries ‘Massive Coverup’ Of 9/11

Graham won’t say “treason,” but that’s what this cover-up is.

“Treason against the United States, shall consist only in levying war against them, or in adhering to their enemies, giving them aid and comfort. No person shall be convicted of treason unless on the testimony of two witnesses to the same overt act, or on confession in open court.” -US Constitution

The cover-up of 9/11 has been high treason since at least 2002.  Treason to cover up the crime of 9/11 indicates complicity on the part of US elements as well as the Saudi agents who have been exposed, such as Omar Al Bayoumi.  Those who would commit treason against the country to keep these secrets hidden are at a minimum co-conspirators after the fact.

 

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I’ve been waiting for this to release in my berg. Sarah Polley uses unconventional means to find her real father. Stories become documentary, which itself becomes stories again, as the actual truth remains elusive. I always loved Sarah, and couldn’t wait to see the movie. It’s a very personal thing, slowly paced and yet full of life, tragedy and humor. It’s about family and complications stemming from affairs and secrets and silence.

The Stories We Tell showed up at Redbox this week.