Posts Tagged ‘Sofia Coppola’

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It’s sort of a damned-if-you-do / damned-if-you-don’t situation.

Sofia Coppola Responds to ‘The Beguiled’ Backlash — Exclusive
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Well this is sure to be controversial. But is it warranted?

Should Sofia Coppola Stay In Her White Lane? Sure. But That Means Acknowledging Her Racism.

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Never a fan of Sofia Coppola, I find her films long, tedious and with a warped take on class and privilege.  As a child of money and privilege herself, I can’t shake the feeling of being manipulated.  A cat’s paw seems to hover above the frame of her movies.

Bling Ring is no different, of course.  In fact, this could be Coppola’s most direct hammer to brain undertaking.  It does seem to be based on a pretty good idea.  The trailer revealed that a group of Hollywood high school fame whores go on a petty crime spree to adorn themselves with gaudy, ostentatious clothing and trinkets.

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As products of this fame whore society, their actions strike a natural evolutionary kind of chord.  On that front, it’s not such a bad film.  The mindless worship of money and brands leads to bad consequences, okay.  These bimbos are irredeemable and perhaps plausible.  The whole charade seems expected in that world.  People with too much glittery crap than they can keep track of robbed by the wannabes, what could be more natural?

The plot bogs down in the middle, as we’ve already seen robberies and gawking at shoes and jewelry, and so it becomes repetitive pretty rapidly.  We also know something bad will happen, and they’ll get caught; so that’s no surprise.  As usual with Coppola, it’s about the character study, not the plot.

Bling Ring’s concept used Internet surveillance pretty well.  If high school thieves can track famous people on the Internet, using metadata and logistical tips to rob their homes, can anyone imagine what NSA and CIA are capable of doing?

I did not take to the quirky religious nut mom thread.  Her oddness is inserted to distract from the obvious, that these Hollywood climbers are the norm and not a product of some aberrant philosophy or religion.  It was a bit too out of left field and irrelevant.

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I also couldn’t let the trademark fake rawness just slide.  Coppola is the one who throws punk rock onto Marie Antoinette, in a sort of pathetic attempt to appear edgy.  Here the sin is almost as egregious.  For the opening credits she takes a loud pop/techno track and then deliberately distorts the entire mix.  The result is hideous noise, offensive to the ears, and not in a musical way.  It’s offensive in a manipulative post-production crank an electronic effect too far way.

Similarly, she shoots several daytime shots with completely clipped, blown out footage.  This is someone with all the money to shoot it correctly that one could possibly need.  The cutting corners Youtube quality is a shallow attempt to establish credibility.  The bouncy handheld camera during the opening robbery is similarly fake.  It’s not a terrible idea to have a visceral movement for such a scene, but the way it was executed was too in your face obvious.

A lot of images are in your face obvious, and there is certainly no subtlety to be found.  Does Bling Ring tell us something about generations raised on TMZ and TV gossip?  Does it indict this shallow, mindless view?  Eh.