Al-Britani is thought to be Jamal Udeen Al-Harith, born Ronald Fiddler, a former Guantanamo detainee from Manchester who was released from the US prison camp in 2004, after being captured in Pakistan in 2002.
He was reportedly paid £1 million by the UK government to keep quiet about British complicity in torture and abuse.
Original:
I’ve been researching the CIA for over 30 years and I’ve interviewed over 100 CIA officers. So naturally, people often wonder how I prepare myself. In one of the interviews that’s included in my new book, James Tracy asked me how I know where to look for information that’s pertinent to a given story.
I told James that’s it’s complicated, that my experience is different from most other CIA researchers and writers. I didn’t follow the usual career course. I didn’t go to the Columbia School of Journalism. I’m a college dropout who climbed trees for a living for ten years. But I did want to be a writer, and my philosophy of life is based on the study of language and literary criticism. I take a very broad approach. When I went to college, I studied Greek and Roman literature, read the Norton anthologies of English and American literature, and took courses in classical myth and the Bible.
Very early in my studies I was introduced literary critics like Robert Graves, poet and author of The White Goddess, and Sir James Fraser who wrote The Golden Bough. Fraser brought a socio-anthropological way of looking at the world of literature. That led me to Mircea Eliade, Carl Jung, Eric Newman, Northrop Frye and a few other people who approached literature from a variety of different perspectives – psychological, political, anthropological, sociological, historical, philosophical. All those things were of interest to me. So when I look at a subject, I look at it comprehensively from all those different points of view, plus my blue collar, working class perspective.
Literary criticism teaches the power of symbolic transformation, of processing experience into ideas, into meaning. To be a Madison Avenue adman, one must understand how to use symbols and myths to sell commodities. Admen use logos and slogans, and so do political propagandists. Left or right; doesn’t matter. The left is as adept at branding as the right. To be a speech writer or public relations consultant one must, above all, understand the archetypal power of the myth of the hero. That way you can transform Joe the Plumber, or even a mass murdering politician, into a national hero.
When I decided to research and write about the CIA’s Phoenix program, that was how I thought about it. I went directly to William Colby, who’d been Director of the Central Intelligence Agency. I didn’t know enough to be intimidated, it was just the smart thing to do. Colby was the person most associated with Phoenix, the controversial CIA “assassination” program that resulted in the death of tens of thousands of civilians during the Vietnam War. No one had written a book about it, so I wrote Colby a letter and sent him my first book, The Hotel Tacloban, which is about my father’s experiences in combat and as a POW in World War Two.
Tacloban was key to unlocking the CIA’s door, for two reasons. First, it demonstrated that I understood what it means to be a soldier, which was essential in terms of winning the trust of CIA officers, most of whom think of themselves as soldiers. The CIA is set up like a military organization with a sacred chain of command. Somebody tells you what to do and you salute and do it. Colby himself had parachuted behind enemy lines in France during World War Two.
On a deeper level, Tacloban showed that I could bridge the “man” gap that divided my frag-happy, draft-dodging generation from Colby’s “saved the world for freedom and democracy” generation. I felt that “father-son” dynamic with Colby and several of the senior spooks he referred me to. Some of them even acknowledged that I was attempting to reconcile with them in a way their own sons never had.
So I told Colby I wanted to write a book that would de-mystify the Phoenix program, and he was all for that. Colby liked my approach – to look at it from all these different points of view – so he got behind me and introduced me to a lot of senior CIA people. And that gave me access from the inside. After that it was easy. I have good interview skills. I was able to persuade a lot of these CIA people to talk about Phoenix. I approached it from an organizational point of view, which is essential when writing about bureaucracies like the CIA or the DEA. You have to understand them as a bureaucracy, that they have an historical arc. They begin somewhere, they have a Congressional mandate, they have a purpose, and organizational and management structures. And in that regard I really lucked out. One of the first people I interviewed was the CIA officer, Nelson Brickham, who organized the Phoenix program in 1967 in Saigon. Brickham graduated magna cum laude from Yale and was something of an organizational genius. He explained to me how he organized Phoenix. He also explained the different divisions and branches of the CIA so I’d be able to understand it. All of that went into my book The Phoenix Program.
So I lucked out. Through Colby I had access to the CIA people who created the Phoenix program and its various components. I was able to find out what was on their minds and why they did what they did. That never would have happened if I had gone to the Columbia School of Journalism, or if I’d been working for mainstream media editors for many years. I’d have had a much narrower way of going about the thing. But the CIA officers I spoke with loved the broad view that I was bringing to the subject. They liked me asking them about their philosophy. It enabled me to understand the subject comprehensively. I related to them on a very personal level, and when the book came, they reeled. Colby was furious.
So the New York Times killed the book in its cradle. As Guillermo Jiminez noted in one of our interviews, the book didn’t take off until Open Road Media republished it 25 years later as part of their Forbidden Bookshelf series. Guillermo asked me why my book was chosen for the series, why there was new-found interest in Phoenix, and what the CIA is up to, generally, nowadays.
As I explained, when the book came out in 1990, it got a terrible review in The New York Times. Morley Safer, who’d been a reporter in Vietnam, wrote the review. Safer and the Times killed the book because in it I said Phoenix never would have succeeded if the reporters in Vietnam hadn’t covered for the CIA.
Several senior CIA officers told me the same thing, that some correspondent “was always in my office. He’d bring a bottle of scotch and I’d tell him what was going on.” The celebrity reporters knew what was going on, but they didn’t report about it in exchange for having access.
I said that in the book specifically about The New York Times. I said, “When it comes to the CIA and the press, one hand washes the other. To have access to informed officials, reporters frequently suppress or distort stories. In return, CIA officials leak stories to reporters to whom they owe favors.” I told how, at its most incestuous, reporters and government officials are related. I cited the example of Charles LeMoyne, a Navy officer who ran the CIA’s counter-terror teams for a year in the Delta, and his New York Times correspondent brother James. I said that if Ed Lansdale hadn’t had Joseph Alsop to print his black propaganda in the US, there probably would have been no Vietnam War.
So I not only got the CIA mad at me, I also got the Vietnam press corps angry at me too. Between those two things, the book did not get off to an auspicious start. The Times gave Safer half a page to write his review, which was bizarre. The usual response is just to ignore a book like The Phoenix Program. But The Times Book Review section serves a larger function; it teaches the media elite and “intelligentsia” what to think and how to say it. So Safer said my book was incoherent, because it unraveled the bureaucratic networks that conceal the contradictions between stated CIA policy and operational reality. It exposed Colby as a liar. Safer was upset that I didn’t portray his buddy, Bill Colby, as a symbol of the ruling elite, as a modern-day Odysseus.
Safer vented his professional hatred for me when he wrote the half page review in The New York Times that killed my book in its cradle. [1] And, at the time, I wasn’t surprised that the Times employed Safer to assassinate my book. But I was totally unaware of the personal basis for his animosity.
At the time of the review (October 1990), I thought Safer hated me primarily for accusing the press corps of covering up CIA war crimes. I thought he did it for pecuniary reasons too; Safer’s grandiose and self-congratulatory book on Vietnam had come out a few months before mine. I wrote the Times editor about that conflict, but of course never heard back. And I didn’t have another book published for 14 years.
It wasn’t until 25 years later that I found out that Safer owed William Colby a favor. Safer revealed his incestuous relationship with Colby for the first time at the American Experience conference in 2010. [2]
“I got a call to come and see [Colby] in his office,” Safer explained. “And I walked in – and I had met him; we had no strong relationship at all – but – and [Colby] said, ‘Look, can you disappear for three days?’
(Laughter.) And I said, ‘I guess.’ (Laughter.) And he said, ‘Well, be at the airport – be at (inaudible) at the airport tomorrow morning at 5:30.’”
Bernard Kalb, the moderator, asked Safer if Colby wanted him to bring along a camera crew.
“No, no,” Safer replied. “And I showed up and [Colby] said, ‘Okay, here are the rules. You can see that I’m going on a tour of all the stations. You can’t take notes and you can’t report anything you hear.’ And I spent three days first of all, down in the Delta and they were really, really revealing. There was only one meeting that he would ask me to leave the barracks. And it was fascinating because the stuff that these guys were reporting through whatever filters to you had been so doctored by the time it got to you – I mean, to this day, I still feel constrained in terms of talking about.”
So, Colby introduced Safer to all the top CIA officers in Vietnam. He introduced him to the guys who ran the interrogation/torture centers and the counterterrorism teams. Safer got to see how the CIA crime syndicate was organized and operated. And like Don Corleone dispensing favors in The Godfather, Colby knew that one day Safer would be obligated to return it. Colby, of course, hated me more than Safer did.
That is how the CIA, as the organized crime branch of the US government, functions like the Mafia through its old boy network of complicit media hacks.
Luckily, with the Internet revolution, people aren’t bound by The Times and network news hacks like Safer anymore. They can listen to Russia Today or tune in to Counterpunch and get another side of the story. So Mark Crispin Miller at Open Road chose The Phoenix Program to be the first book they published. And it’s been reborn. Thanks to the advent of the e-book, we’ve reached an audience of concerned and knowledgeable people in a way that wasn’t possible 25 years ago.
It’s also because of these Internet developments that John Brennan, the current director of CIA, thought of reorganizing the CIA into “centers” that have their origin in the Phoenix program. Phoenix is the template for the war on terror and the homeland security boondoggle.
All these things are connected. It’s a vastly different world than it was in 1947 when the CIA was created, or in 1967 when the CIA created the Phoenix program, or in 1990 when my book came out. The nature of the American empire has changed, and what the empire needs from the CIA has changed. The CIA is allocated about $30 billion a year, so the organizational changes are massive undertakings.
If you want to understand the CIA, you have to understand how it’s organized and how it relates to the press and every other thing that’s going on. And that’s what I try to explain in my new book.
Notes.
[1] Behind the scenes, the CIA was doing it’s best to prevent Valentine from completing his research. Valentine found out the CIA was keeping a file on him and, through the ACLU, sued the CIA in federal court. Here’s the link to the documents that were released to Valentine in 1993.
[2] US Department of State, Media Roundtable Discussion, The American Experience in Southeast Asia, 1946-1975, 29 September 2010.
Felony conspiracy to torture and obstruction of justice.
Alleged War Criminals Jay Bybee & John Yoo
The measure, which defines the entertainment industry broadly, follows a series of reportspublished by VICE News over the past year detailing the agency’s role in the production of 22 entertainment-related projects between 2006 and 2011. They included major motion pictures like Zero Dark Thirty and Argo; reality television series such as Top Chef; the cable drama series, Covert Affairs;and books including The Devil’s Light by Richard North Patterson.
Both James Mitchell and Bruce Jessen admitted“in part” that they produced a document for the CIA called “Recognizing and Developing Countermeasures to Al-Qaeda Resistance to Interrogation Techniques: A Resistance Training Perspective.”
Abu Zubaydah was mentioned. Read the background on Zubaydah and what actually happened.
